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I Love You DK. Baby Dinosaur DK. Micheil Kalatozischwili, Georgia , A bitterly poor village that is cut off from the world and almost perishes every winter for lack of salt, is to be connected by road with the modern Soviet power. Need and misery will come to an end, the repressed and exploited people will become part of the larger community. In retrospect it highlights the purely utopian aspect: the lifesaving road has not been finished to this day.

What remains is only the film. In his film, Peleshyan focuses not only on the people, but also on the mountainous landscape surrounding them and the tragic fate of the genocide — denied to this day. The montage of original material and archive footage, close-ups and ultra-far shots, the mixture of Baroque, modern and Armenian music creates a complex system of references.

Admittedly, the film was affected by censorship: Peleshyan had to cut out important shots. Serious and playful at the same time, Parajanov recreates the world of Armenian poet Aruthin Sayadin: a view of the 18th Century that feels like the present rendered in mysterious and poetic images with a modern surrealist aesthetic and an affectionate sense of irony. Dietrich Kuhlbrodt. The fragmentarily narrated life story of the naive painter Niko Pirosmanaschwili — , who became known by the name Pirosmani.

He tries out different professions but repeatedly fails; he flees from his own wedding, starts working as a decorative artist and wall painter, lets himself be exploited and humiliated. Schengelaja develops the structure of the film using Pirosmani's pictures: Plane tableaux, long shots and stylized genre images reflect Pirosmani's aesthetic. An experimental documentary film in the Cinemascope format. The film follows the tradition of the many animal films in the Soviet republics, but animals here are not working or domestic animals, and the film does not link them with people in any way.

They are the inhabitants of the planet. For thirty years the lighthouse-keeper has returned to his post every evening. The film shows more about his daily work and his family than it does about his work.

An old Kirghizian legend is heard in the background, about the magic horse that is supposed to have crossed the lake. An old man has discovered the real problem of humanity: the disease-carrying and otherwise useless flies. To tackle the root of the problem, he lures flies using animal cadavers and feeds the resulting maggots to his various animals, which he looks after lovingly until they, too, end up as fly-catching cadavers.

He sees this small hell on earth as a model which he would like to talk about some day with the General Secretary of the Communist Party, Gorbachev. A cult film from Kazakhstan, dealing with the monotounos village life between ruste shipwrecks on the banks of the dried-out Lake Aral.

The lonely protagonist Ultugan falls in love with a stranded captain. A typical propaganda film of the s: A young agricultural engineer becomes the leader of a colchose.

With new ideas and the help of his student friends who hurry to work in the field he confronts the distrust of the locals. Finally everything comes together in perfect harmony: modernity and tradition, students and workers, city and countryside.