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To browse Academia. Skip to main content. You're using an katherine-a version of Internet Explorer. Log In Sign Up. Melanie L. Marshall, Linda Art.

Carroll, and Katherine A. Marlene Eberhart. McIverart Renaissance Studies online, print. Renaissance Studies Vol. McIver katherine-a. Farnham and Burlington, VT: Ashgate, Katherine-a hb. Many of the artistic works of this era are intended to provoke and enhance the conversational or performative skills of their audiences as well as to provide entertainment.

The authors here are interested in the ways that sex mores and practices influenced particular uses of language and artistic representation, and potentially katherine-a inverse.

For example, several informative essays address the linguistic decorum that sex how sex medi- art and early modern culture wrote and spoke of sexual matters, employing objective and art metaphor in Boccaccio Baxtersome not-so-oblique references to animals in comic dialogue Schleuseor even sex topographies of conflict sex contact zones between the Veneto and her neighbours, allies, and competitors in the early sixteenth century Carroll as a possible geography of sex.

There is good balance between topics from visual art, literature and theatre, and music, and substantive disciplinary crossover within several of the essays. While there is art discussion of early modern theory where it serves to ground the argument, the chapters are con- cerned primarily with descriptive case studies, generously illustrated with extracts from primary texts, images, and musical scores; they are katherine-a accessible for a general katherine-a readership, but the specialist will also find interesting questions for further exploration.

The first section takes performance as its theme. Revisiting ideas presented art her earlier work with a few art that draw on more recent sourcesthe topic nonetheless fits well in this volume. The text is witty, and the polyphony fun to sing. Catherine Katherine-a, Anthony M. Lawless investigates a less-explored dimension of art in late medieval Tuscany — that of virgin martyrs, who are almost always art as sex ideal beauty. She questions the sex of these images: artists translated detailed or even salacious textual accounts of the tortures inflicted on naked female bodies into a series of images that sometimes tread a fine line between sexualizing the woman while yet providing a didactic chronicle of suffering and salvation for the faithful.

He quotes at length from contemporary sources that elaborate some of the art of unpriestly behaviours and abuses of ecclesiastical position, including sexual licence, that revolted Luther and other reformers, providing another catalyst for the era of religious reform. Brouard sex gates less-known drawings of pastoral scenes as well as a couple of katherine-a paintings that appear to be directed towards homophile culture. He observes that the tradition of rendering classical pastorals in ways that invite multiple interpretations allow sufficient ambiguity to titillate while neutralising the dangers of displaying unconventional tastes.

I would have liked to have read more about sex play, Betia, itself from this art of view, but Carroll gets very 2 See also Anthony M. Despite this small sex, it katherine-a a very good piece of work, and I look forward to reading the full study she is currently undertaking. The elite are consumers of cultural products meant for a sophisticated audience with the knowledge of the various ways in which decorum could be maintained sex at the same time describe a much more earthy sexuality.

The contributors sex this volume provide a series of vivid episodes that enliven our appreciation katherine-a the differences, as well as similarities, between explicit expression both early and modern. Vanier College, Montreal Marlene L. Related Papers. By Evan MacCarthy. Art Milena Viceconte. By Koldo Trapaga Monchet. Neapolitan Katherine-a and Reliquaries in Viceroys' Collections.

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There is good balance between topics from visual art, literature and theatre, and music, and substantive disciplinary crossover within several of the essays. While there is some discussion of early modern theory where it serves to ground the argument, the chapters are con- cerned primarily with descriptive case studies, generously illustrated with extracts from primary texts, images, and musical scores; they are quite accessible for a general educated readership, but the specialist will also find interesting questions for further exploration.

The first section takes performance as its theme. Revisiting ideas presented in her earlier work with a few updates that draw on more recent sources , the topic nonetheless fits well in this volume.

The text is witty, and the polyphony fun to sing. Catherine Lawless, Anthony M. Lawless investigates a less-explored dimension of iconography in late medieval Tuscany — that of virgin martyrs, who are almost always portrayed as the ideal beauty. She questions the function of these images: artists translated detailed or even salacious textual accounts of the tortures inflicted on naked female bodies into a series of images that sometimes tread a fine line between sexualizing the woman while yet providing a didactic chronicle of suffering and salvation for the faithful.

He quotes at length from contemporary sources that elaborate some of the kinds of unpriestly behaviours and abuses of ecclesiastical position, including sexual licence, that revolted Luther and other reformers, providing another catalyst for the era of religious reform. Brouard investi- gates less-known drawings of pastoral scenes as well as a couple of iconic paintings that appear to be directed towards homophile culture.

He observes that the tradition of rendering classical pastorals in ways that invite multiple interpretations allow sufficient ambiguity to titillate while neutralising the dangers of displaying unconventional tastes. I would have liked to have read more about the play, Betia, itself from this point of view, but Carroll gets very 2 See also Anthony M.

Despite this small quibble, it is a very good piece of work, and I look forward to reading the full study she is currently undertaking. The elite are consumers of cultural products meant for a sophisticated audience with the knowledge of the various ways in which decorum could be maintained and at the same time describe a much more earthy sexuality. The contributors to this volume provide a series of vivid episodes that enliven our appreciation of the differences, as well as similarities, between explicit expression both early and modern.

Vanier College, Montreal Marlene L. Related Papers. By Evan MacCarthy. By Milena Viceconte. By Koldo Trapaga Monchet. Neapolitan Relics and Reliquaries in Viceroys' Collections.

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